HAVE YOU EVER BEEN TO THE GRAND GALLERY OF THE GREAT PYRAMID?? 

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The Grand Gallery of the Great Pyramid likely has many illusive references and concepts regarding it, but what if this internal ramp set is a two part lift process for stone?  What if the main �filler� stones went up the slowly steeped ramp to the center, while the large plates of granite went up rollers on these steep ramp surfaces?  You do realize that prior to now in the construction of the pyramid the stones were roughly cut (broken) stones that were relatively small compared to what we are led to believe?  Are you aware that to use rollers effectively BOTH the ramp and the stone itself must be smooth?  The first incidence we see of a smooth roller surface and smooth stones is the Grand Gallery.  These surfaces were likely utilize a smooth roller set that would make large stone handling of the type used in the upper rooms and chambers much easier.

Please understand that the use of wooden rollers would be extremely limited.  Because of the imperfect stones and rough surfaces wooden rollers would not have worked well.  Wooden rollers would have actually been more problematic than they would be worth.  What we will likely see is stone rollers with wooden pry-bar type mechanisms.

Notice as we look at the next photo of the Grand Gallery ramp you will see a steep ramp system with large rectangular holes on each side.  Notice the holes are �balanced� so that there is one on each side in opposition to the other.  What this will indicate is these are roller stops.  Very likely stone posts/rollers extended from one side to the other, and allowed the slabs to be rolled from one stage to the next.  As the stone slabs rolled over the rollers, the rollers traveled up the ramp until they were �stopped� by the next roller stop.  We shall see the roller stops served a multi-fold purpose as an aligning tool for the Grand Gallery slabs as well.  See an upcoming mechanical drawing on the slabs and slab movements.

Look at the Grand Gallery as it was seen in the early 1900�s.

 

Notice at the lower end of the Grand Gallery ramp there is an opening for large square rocks to pass through.  In the book, The Solomon Series: Great Pyramid Mystery Resolved the author explains why some of the stones passed over head on the Grand Gallery ramp and why some went towards the center of the Great Pyramid on another ramp/lift system.

Notice the next two photos are for backer plates/roller stops for the ramp. Virtually every roller stop along the Grand Gallery ramp has these type markings, and none �lack� this marking type.  It is fairly evident that a stone or wooden plank could have or would have been set in here and wedges used to shim and align the wall sections.  Wood would have been the preferred material, yet it would have deteriorated in the wet/damp environment that followed construction of the Great Pyramid.  This is why there is no record of anything in these spaces.   As you can/will see in the Solomon Series of books, the internal structure of the pyramid was saturated for up to 200-400 years after construction.  The presence of bugs and such in Volume Two of the series is proof of moisture and bugs that would have consumed all vegetation based items.

 

As we can see a backer/alignment plate with a wedge system could have been used to align the slabs, then a roller set across the ramp would use the same backer plate/wedge mechanism as a roller stop.  

 

At the top of the Grand Gallery ramp as seen in the next photo the wear from the rock handling would have impacted the head of the ramp set.  This worn area was both created by way of rock handling, and further made through water run off by way of leaks in the system as evidenced in Volume Two of the Solomon Series, from the design spoken of in Volume One of the Solomon Series����..As we view the internals today much of the graffiti of old has been removed from the internal spaces of the Great Pyramid.  In so doing they have partially obscured the evidence of how and why this structure was built, and the demise and desecration that followed��..

 

 

 Meanwhile since the structure was completely sealed and empty when it was found, we must understand it is not a tomb.  It was used for another purpose and the early explorers found nothing ornate, nothing worth keeping, or nothing noteworthy inside����.As they ventured in following the old �myth� of pyramids being tombs, they missed the common sense approach that maybe this structure had a greater purpose.  Wouldn't you like to know the real purpose?  How and why it was built has been released for free to the public in our book.

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The Grand Gallery and entrance to the Great Pyramid of Giza Egypt

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Ascending the Grand Gallery of the Great Pyramid of Giza Egypt

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There is much more to come.  These are merely teasers for what you will soon find in the eBook.  More will be posted to the website as we go along.

Have a wonderful day and keep searching for truth.  Ask, seek, knock! 

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Copyright by Theodore L. (Ted) Whidden, more information is available at www.SolomonSeries.com .

 

 
 
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Subjects Covered within this website include:

Egypt, Egyptian, Great Pyramid, Giza Plateau, Giza Pyramids, Pyramid Drawings, Pyramid Sketches, Pyramid Theory, Pyramid Construction, Pyramid Tombs, Pyramidology, Pyramid Alignments, celestial alignments, Pyramid Mystery, Great Pyramid Solved, Khufu, Cheops, Khafre, Robert Schoch, Professor Robert Schoch, Jean-Pierre Houdin, Steven Myers, Ron Wyatt, Sir Flinders Petrie, William Petrie, Egyptian Archaeology, Egyptian Pyramids, Egyptian Pharaohs, Ancient Egypt, Pyramid Text,  Great Architect, Freemason, Freemasonry, archeology, Egyptology, Sphinx, Great Sphinx, Atlantis, Atlantean, City of Atlantis

 

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