YOU BUILD THE LARGEST STRUCTURE IN THE WORLD, THEN "FINISH" THE
INTERIOR POORLY?? WE SEE A ROUGH SURFACED INTERIOR IN THE
WOULD YOU BUILD THE WORLD'S LARGEST ROCK PILE TO HIDE YOUR PHARAOH AND STICK HIM IN A BROKEN BOX IN AN UGLY PLACE?? WHY DON'T WE ASK THESE SIMPLE QUESTIONS?
Copyright by Theodore L. (Ted) Whidden, more information is available at www.SolomonSeries.com .
Click Here to access Our Initial
Do you recall our "Flip-Flop" rock tumbling model found at
Is it possible this beat up old
stone box (coffer) in the Upper Room ("King's Chamber") is in some way
related to a rock flipping concept? THINK ABOUT IT!!?
we move too far along I need you to focus on one concept.
The pyramid builders were NOT proficient at building upright
buildings or structures. I
need you to THINK differently in order to see and learn the truth.
The pyramid builders were actually MINERS!
They had been mining for hundreds of years.
The pyramid is built through "Reverse Mining" techniques that allowed them
to build vertically in the same manner they lifted stones out of
In each instance they would position themselves so they could stand
up above on a ridge, and work from within a hole.
Since their skill set taught them to lift stones from beneath their
feet in a quarry to a level where they were standing, at each juncture
they would build a room of some sort, get on top of the walls and then
lift stones to the level where they stood using mining techniques.
that since the builders of the past did not have I-beams, rebar, and overhead
technology then builders of today would fail to recognize the ancient building techniques.
Never forget these were MINERS who decided to mine rocks above
ground. This is one of the
first attempts at vertical construction, but they used below ground
techniques to erect above the natural plane.
If you do not understand this, you will never understand the
pyramid construction����..The failure of academics in the past to
recognize and understand the builders has long since distanced us from the
truth. Since they fail to
understand this aspect of the culture we will soon learn there are many
things they have failed to understand.
�King�s Chamber� or �Upper Room� of the Great Pyramid is one of
my favorites. There is
more truth by way of evidence revealed in that space of the Pyramid than
potentially any other. The
difficulty for modern man is that there is more deception spread about by
so-called �explorers� and �mystics� about this one room than any
other. If one can begin to
understand this room, they will find many of their other questions will be
answered in the other spaces.
Firstly, always remember the upper room (Erroneously called the King�s
Chamber) was found closed, completed sealed behind three layers of stone, and it was
EMPTY! There was never any
intention to leave treasure in this space and a quick simple look at the
empty space with bare, simple, ugly walls.
ventilation. That is right no
channels/tubes are unfit for ventilation as I will explain.
stones in the entire structure are found in association with this room,
but the majority are only 3 foot by 3 foot approximately.
unsupported room is made up of slabs of stone.
room is 17 feet wide, 34 feet long, and 19 feet high.
It is made of smooth cut/broken stone that is unfinished.
It is lined with pink granite, which makes up less than 2 percent
of the mass of the Great Pyramid. The
�filler� stone behind these walls and throughout the structure is
rough cut/broken locally quarried lime rock (NOT imported granite!)(Not
finely tooled or cut either!).
one can see from the photo there are 5 tiers of rock that make up the 19
foot height. By way of simple
calculation we find the rocks are less than 4 feet in height (19/5 = less
than 4 feet). Can you
�see� it? As we look across the back wall (west wall of the room) we
see the 17 foot span of the room width is made up of 3 or more irregular
length stones, therefore the average length of the stones is only 6 feet
or less (17/3= less than 6 feet). Many
are only 3 feet by 3 feet. LOOK!
The stones are not gigantic. They
are relatively small. As one
can see the stones are not nearly as big as we are lead to believe, and I
can assure you these are some of the largest in the entire structure. See
the book The Solomon Series: Great Pyramid Mystery Resolved
where we address the stone sizes, handling cutting, etc.�����As we look
at the bulk/mass of the structure we see the majority are locally
quarried lime rock of less than 2.5 feet cubed, weighing only about 1800
pounds. Much of what we read focuses on the sensational rather than
the truthful. Focus on the
truth, because the Truth will set you free.
Before going onwards, lets look back at the stone box found in the middle of the floor of the upper room. Look again at the photo above. Study the stone box. Notice it is about 7 feet long, and only as tall as one strake of stone behind it. The box is about 28 inches tall. Many people get all excited about this being a �Coffin� or �coffer� of some kind, but this cannot be true. It is a lie that Egyptologists, Archaeologists, etc spread out of imagination only. There is no indication whatsoever that this was ever used as a coffin. In fact there is indication it was never a coffin����..Recall this was found in a completely sealed room that was empty!? The only thing found in the room besides this box was dust, salt, and dead bugs. (There are reasons for these three elements in the room. Get my books!) There were three sets of stone locking/blocking mechanisms to prevent entry, and they were completely sealed. The idea that this is a sarcophagus (coffin) is a lie, plain and simple. It is the work of over active imaginations of people who know no better. Mark those people as low integrity, deceptive people. In this area one needs to begin to �mark� the illusionists and understand who will lie to you and who will not. Many will. Be aware.
Look closely at the erroneously labeled �coffer�.
The external appearance is rough and beaten up as if used in a
working environment. There
is/was no lid to the box. The
box was never carved in an ornate manner.
It is ugly as it was designed to be.
The top lip or edge of the box is rounded, not fitted.
The external appearance is rough and beaten up as if used in a working environment. There is/was no lid to the box. The box was never carved in an ornate manner. It is ugly as it was designed to be. The top lip or edge of the box is rounded, not fitted.
Look at how severely the corner is broken on the box itself. What would it take to break/wear this corner this way? It would take dozens of impacts from very large, very heavy objects, wouldn�t it? Look closely at the box. Since there was never a dead body in this room, and the room was sealed is it likely this was simply a �tool� for building the structure? Look closely at the box. This �break� is not man-made, it is not simple, it is a complicated breaking pattern from an extended mechanical operation.
As we look internally the box is too long and too narrow to house a
body. What would/could it
house? We shall see in the
attached drawing as found from studies of the Great Architect.
Do you want to see
what this box was for? Click here! INVERSION TOOL
As we can see from the Inversion Tool drawing set this is a working tool, not a burial device. Download now!
As we move onwards look at the following drawing from the Smythe exploration in the mid-1800�s.
the Smythe drawing we know that it took 9 slabs of stone to cover the
overhead. Since each stone is
approximately the same width we can likely assume the end �half�
stones will tell us the amount of coverage on each lip of the overhead we
have, which is 2 feet or so at each end.
By looking at the �solid slabs� only we see seven solid slabs
and two half-slabs cover the roof for a total of eight slabs.
Since the room is 34 feet long we can approximate the width of the
slabs by dividing 34 feet by 8 slabs, making each slab a little more than
4 feet wide. Since we know
the slabs are about 20 inches thick we can see that each one would fit
nicely into the inversion tool, explaining the damages we see.
look at the south wall of the drawing as represented in the fold out of
the drawing. The south wall
opposite the opening/doorway shows evidence of damage, impact, cracking,
etc. This is evidence of poor
handling and control at the time of construction.
As you look at our inversion tool drawing set we demonstrate how
the slabs would be moved in to the room from the north (Grand Gallery
ramp) and would likely impact the opposing wall.
Notice only this wall has the impact and the impact pattern fits
perfectly with our mechanical drawing set.
Note also, the height of the impact/damage.
This height of impact fits perfectly with a room filled with two 20
inch slab sets, leveling the floor with the top of the �coffer�(Inversion
tool). Again, this confirms
our inversion tool drawings as likely the most accurate ever produced.
the flaws in the southwest wall. The
seals began to give way in this corner shortly after construction.
The damaged seals as evidenced and known in the 1800�s was part
of the demise of the structure as discussed in Volume Two of the book, The
Solomon Series: Great Pyramid Mystery Resolved.
we examine the east wall in the drawing as an example we see the builders
used five stones to span the 17 foot width of the room, making the average
stone less that 4 feet is size. Further
since there is five tiers high in a 19 foot tall room the height of the
stones is less than 4 feet. The
graphic representation from over 150 years ago demonstrates the stones
aren�t nearly as big as we were once led to believe.
Understand as well that these are the �liners� made of pink
granite. The locally quarried
lime rock behind these stones is believed to be haphazardly cut/stowed
irregularly broken and handled lime rock filler.
As you explore our other evidences such as
the �niche� in the
erroneously labeled �Queen�s Chamber�, the
dig profile of
�Mamun�s Hole�, and other areas we see loose filler was used
throughout the structure. The use of irregular stone, mortar, etc is part of what has
allowed the structure to stand as long as it has.
As pointed out in the miracle book series presented by Ted Whiddenat www.SolomonSeries.com we see the errors of our past have had us measure the height of the spaces in the pyramid based on the floor we stand on, or the overhead we see. Since this is stone construction, an engineer would measure these slabs from the BOTTOM of the stone slab floor, and from the TOP of the stone slab overhead. From an engineering perspective the OUTER extremity of the stone rooms or liners will reveal how and why the structure is there. In the past we became so enamored with the romanticized illusions of past explorers we focused on the internal dimensions, when the key is in the external dimensions of the space. See the text series at www.SolomonSeries.com for full explanation and the mechanical/engineering significance.
we focus once again at the �inversion tool� or so-called �coffer�
we see the rough impact of multiple stone movements likely caused the
breakage to the corner. Further
research allows the viewer of this photo set to note the dust/lines in the
floors and stones of the space, relating them to the internals of the box. One can easily see the practical application of this stone
box as an inversion tool.
As we look at the next photo we see that more than 100 years ago observation was likely made that the box was too long for a coffer, and too narrow. Here we see a group of folks sitting on the inversion tool admiring the space. What do you think of the inversion tool now? No dead bodies were ever here. The "coffer idea" is likely a hoax, isn�t it?
Here is a close-up photo of the edge of the inversion tool/coffer. Notice it is not ornate, irregular cut, and the site of a work in progress.
Here is the entry way into the "King's Chamber". It is just about the size of the "coffer" or Inversion tool. Look at the walls and the small (low) entry way. Not likely a tomb, is it? Once again we see an entry (hallway) that shares an outer extremity/wall. Looks like a mechanical consideration for moving slabs from up the ramp to into a room. Nothing more.
Look now at the photo which follows. The current entry way is only as high as one tier of stone. It is likely formed by default well after the stone slabs were installed above. Notice also what is probably the largest stone set in the entire structure. Very few people are aware, but if you look at the north wall of the upper room towards the Grand Gallery the second tier is the largest stone set in the structure. Once they loaded the floor two slabs high equaling the height of one tier of stone (and/or height of the coffer), we see the opening in this wall would have allowed maneuvering of the slabs into the room.
LOOK! The large stone slab set on the north wall was likely erected AFTER the stone slabs for the overhead were mobilized into the space, inverted, and landed topside�����
(This part is more precisely explained in the book
series.) NOW look at the room in a new way (Go back to the drawing above). If the south wall was completed prior to handling and
inversion, and the north wall was only partial as we see (imagining the
large north wall slab set removed), then we see an amazing phenomena. The �short� wall on the north would not allow as many
workers overhead as the completed �south wall�.
Can you see this? Do
you realize that if we had more workers on the south wall than on the
north wall, and if the south wall workers had greater control over the
inversion process, then we would EXPECT the corner of the inversion tool
to break off PRECISELY as we see in the photo!!!
Notice the first photo is taken from the east looking west, with
the southeast corner of the coffer damaged!
Whidden has done it again! Hundreds
of mysteries solved in every book!
findings in this unique research team that Ted has assembled will continue
to uncover and reveal hundreds of mysteries in virtually every text.
The alignment tools employed are amazing.
From stones, architecture, and archaeology, to Egyptology, social
issues, and theology. This is
the best, most level-headed, and grounded approach to ancient studies in
the world. Whidden and his team are setting a new standard for integrity
in the world, and the exploration field.
There is much more to come. These are merely
teasers for what you will soon find in the eBook. More will be
posted to the website as we go along. Have a wonderful day and keep
searching for truth. Ask, seek, knock!
NEXT CLICK HERE
FOR MORE PROOFS!
You may also go to our online
system for free electronic downloads, or for books in print purchase
products as they are available. Go to "Materials and Tools" to get the project started.
Books and Resources Available
Subjects Covered within this website include: Egypt, Egyptian, Great
Pyramid, Giza Plateau, Giza Pyramids, Pyramid Drawings, Pyramid
Sketches, Pyramid Theory, Pyramid Construction, Pyramid Tombs,
Pyramidology, Pyramid Alignments, celestial alignments, Pyramid Mystery,
Great Pyramid Solved, Khufu, Cheops, Khafre, Robert Schoch, Professor
Robert Schoch, Jean-Pierre Houdin, Steven Myers, Ron Wyatt, Sir Flinders Petrie,
William Petrie, Egyptian Archaeology, Egyptian Pyramids, Egyptian
Pharaohs, Ancient Egypt, Pyramid Text, Great Architect, Freemason,
Freemasonry, archeology, Egyptology, Sphinx, Great Sphinx, Atlantis,
There is much more to come. These are merely teasers for what you will soon find in the eBook. More will be posted to the website as we go along.
Have a wonderful day and keep searching for truth. Ask, seek, knock!
NEXT CLICK HERE FOR MORE PROOFS!
You may also go to our online system for free electronic downloads, or for books in print purchase products as they are available. Go to "Materials and Tools" to get the project started.
Books and Resources Available www.TheBrainCan.com
Subjects Covered within this website include:
Egypt, Egyptian, Great Pyramid, Giza Plateau, Giza Pyramids, Pyramid Drawings, Pyramid Sketches, Pyramid Theory, Pyramid Construction, Pyramid Tombs, Pyramidology, Pyramid Alignments, celestial alignments, Pyramid Mystery, Great Pyramid Solved, Khufu, Cheops, Khafre, Robert Schoch, Professor Robert Schoch, Jean-Pierre Houdin, Steven Myers, Ron Wyatt, Sir Flinders Petrie, William Petrie, Egyptian Archaeology, Egyptian Pyramids, Egyptian Pharaohs, Ancient Egypt, Pyramid Text, Great Architect, Freemason, Freemasonry, archeology, Egyptology, Sphinx, Great Sphinx, Atlantis, Atlantean